[Rund ums Buch] Women’s Prize for Fiction 2018 – Shortlist

Es ist soweit. Noch vor kurzem habe ich hier die Longlist für den Women’s Prize for Fiction vorgestellt. Am 23. April 2018 ist die Shortlist bekannt gegeben wurden, und es ist meiner Meinung nach eine sehr gute Auswahl. Alle Longlist-Kandidatinnen waren ja wirklich toll, da will ich mir gar nicht vorstellen müssen wie schwer es fällt letztendlich sechs Bücher auszuwählen.

Hier kommt die Shortlist

Sight – Jessie Greengrass (Synopsis Source: Women’s Prize)

In Sight, a woman recounts her progress to motherhood, while remembering the death of her own mother, and the childhood summers she spent with her psychoanalyst grandmother.

Woven among these personal recollections are significant events in medical history: Wilhelm Rontgen’s discovery of the X-ray and his production of an image of his wife’s hand; Sigmund Freud’s development of psychoanalysis and the work that he did with his daughter, Anna; John Hunter’s attempts to set surgery on a scientific footing and his work, as a collaborator with his brother William and the artist Jan van Rymsdyk, on the anatomy of pregnant bodies.

What emerges is the realisation that while the search for understanding might not lead us to an absolute truth, it is an end in itself.

Sing, Unburied, Sing – Jesmyn Ward (Synopsis Source: Women’s Prize)

Jojo is thirteen years old and trying to understand what it means to be a man. His mother, Leonie, is in constant conflict with herself and those around her. She is black and her children’s father is white. Embattled in ways that reflect the brutal reality of her circumstances, she wants to be a better mother but can’t put her children above her own needs, especially her drug use.

When the children’s father is released from prison, Leonie packs her kids and friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

The Idiot – Elif Batuman (Synopsis Source: Women’s Prize)

Selin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard and finds herself dangerously overwhelmed by the challenges and possibilities of adulthood. She studies linguistics and literature, teaches ESL and spends a lot of time thinking about what language – and languages – can do.

Along the way, she befriends Svetlana, a cosmopolitan Serb, and obsesses over Ivan, a mathematician from Hungary. The two conduct a hilarious relationship that culminates with Selin spending the summer teaching English in a Hungarian village and enduring a series of surprising excursions. Throughout her journeys, Selin ponders profound questions about how culture and language shape who we are, how difficult it is to be a writer, and how baffling love is.

The Mermaid and Mrs. Hancock – Imogen Hermes Gowar (Synopsis Source: Women’s Prize)

One September evening in 1785, the merchant Jonah Hancock hears urgent knocking on his front door. One of his captains is waiting eagerly on the step. He has sold Jonah’s ship for what appears to be a mermaid.

As gossip spreads through the docks, coffee shops, parlours and brothels, everyone wants to see Mr Hancock’s marvel. Its arrival spins him out of his ordinary existence and through the doors of high society. At an opulent party, he makes the acquaintance of Angelica Neal, the most desirable woman he has ever laid eyes on….and a courtesan of great accomplishment. This meeting will steer their lives on a dangerous new course.

What will be the cost of their ambitions? And will they be able to escape the destructive power mermaids are said to possess?

Home Fire – Kamila Shamsie (Synopsis Source: Women’s Prize)

Isma is free. After years spent raising her twin siblings in the wake of their mother’s death, she resumes a dream long deferred – studying in America. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who’s disappeared in pursuit of his own dream – to prove himself to the dark legacy of the jihadist father he never knew.

Then Eamonn enters the sisters’ lives. Handsome and privileged, he inhabits a London worlds away from theirs. As the son of a powerful British Muslim politician, Eamonn has his own birthright to live up to – or defy. The fates of these two families are inextricably, devastatingly entwined in this searing novel that asks: what sacrifices will we make in the name of love?

When I Hit You – Meena Kandasamy (Synopsis Source: Women’s Prize)

Seduced by politics, poetry and an enduring dream of building a better world together, a young woman falls in love with a university professor. Marrying him and moving to a rain-washed coastal town, she swiftly learns that what for her is a bond of love is for him a contract of ownership. As he sets about bullying her into his ideal of an obedient wife, and devouring her ambition of being a writer in the process, she begins to push back – a resistance he resolves to break with violence and rape.

Eingezogen sind die Bücher inzwischen alle bei mir – ja, ja, ich bin ein Shortlist-Opfer, aber die klingen alle so toll, und ich musste mich für meine schriftliche Prüfung belohnen (das Schreiben und Überstehen an sich, nicht das BEstehen, das kommt noch ^^).


4 Gedanken zu “[Rund ums Buch] Women’s Prize for Fiction 2018 – Shortlist

  1. Ich bin ein bisschen enttäuscht, dass Fiona Mozley es nicht auf die Shortlist geschafft hat. Auch das Buch, das mich am meisten interessiert (See What I Have Done) fehlt. Aber The Mermaid and Mrs Hancock und Sing, Unburied, Sing, möchte ich lesen.

    1. Die Meerjungfrau lese ich gerade, bisher gar nicht schlecht. Ich hatte auch andere Bücher mit auf dem Schirm, aber allgemein sind die nominierten für diesen Preis schon alle immer so gut, dass ich nicht in der Haut der Juroren stecken möchte. ^^

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